Showing posts with label biren sahoo. Show all posts
Showing posts with label biren sahoo. Show all posts

Friday, June 10, 2011

I aint been nowhere, but I am back.





They have all been written at different times, and many of them are repetitive. Besides, of late, I have been trying to write on creation and universe; and therefore, in many of them, physical laws or scietific terms are used at random. I shall in due course - as I edit them, provide a glossary or explanation. Thanks for going through them.


Biren


The vacuous mind
Thinks no thoughts,
About nothing. Nirvana.




The monk is back
At the shrine,
Having been nowhere.




I am what I am,
If I were what I were not,
I could not be that which I am.




Will she, for whom every syllable
Is intoned in silence,
Ever be able to hear it?



Don’t make me wait so long,
That my wait exceeds,
My frozen life.




As life flows on
Will she ever read it - this keepsake to her,
Whose memory will never die.




Lightning stabs the darkness,
Stormy night.
No quiet place for my troubled mind.



Never is here.
Nowhere is here,
No visible end in this non-existent tunnel.



The bright moon changed its course,
Left him, the wanderer, walking alone
Under an empty sky .



Dark lowering clouds,
Enveloping the endless sky
The heart is overcast with raindrops of longing.



Long cold nights,
My thoughts wander,
Seeking a warm home to rest.



Alone in a dark night,
Crickets mourn their
Condolences for my dead love.



Your touch, I thought
Would change me.
It made me myself....



Scar in my heart,
Is invisible yet deeper
Than the scar on my forehead....



You left me,
So absolutely, that;
You did not even leave your memories....


The jay-bird, the oriole, the red velvet mite
and the peacock, stopped
bringing back my childhood seasons....




Did the gale blow away
The beautiful sakura, or the sakura decided,
It is time to leave?



We promised to part and not look back,
But when my head turned over my shoulder,
saw, you were looking back.




She came from nowhere, like a sparkling dew,
vanished in the morning to nowhere,
A dream within a dream.




My always unreachable vodafone,
Helps me ensconce
In my hideaway, my lonliest existence.




Your memories, like
dark Clouds, pass by slowly;
raining tears as they go.




Windows are shut from that day
not to let away the fragrance
Of the flowers you brought in.



Children going to school.
Bag full of dreams in their backpacks.
Weighing their childhood down.




The tired porter in the railway station
Wonders who will
Carry his luggage for him.




Late, in the fish market
Hawkers’ tired voice
Yell in silence for unsold fish rotting.




Under the starlit sky,
As we lie down on the sands by the sea,
Love covers us with warmth.




Tea stain on the table,
Sweet fragrant memories, remind me of
The time you were here.




Rodin, helplessly lost in thought
Where to search for,
The thoughts he lost.





As I walk on the dry leaves
Their rustle
Echoes the sound of your absence




My heart stops for a moment,
Whenever I see her,
For only whom it keeps beating.




The wanderer’s song wafts through
With the cold breeze from the mountains.
But night rules with silence.




Dry withered branch
Clings to the tree with hope
Spring will come again.




I walk into infinite emptiness
Where Nothing
Is not even in existence.




The red vermillion dot
On her forehead, increases her beauty
Ten times as a zero.



I have not been nowhere,
But I am back,
To my non-existent life.



Leave behind a little of your fragrance,
A sparkle of your smile
To keep my dreams alive.




You are my Panadol, my Valium
You are my Prozac, my Viagra.
You are the prescription for this doctor.




Our love is timeless,
Its horizons
limited by infinity.



Summer love prevails,
On winter's unknown sorrows-
All parallels, pale.




Like a parched desert
I soak in the rain of your love
Standing completely drenched.





Agape with wonder
As frosty nights fly by me,
I wait for your smile to warm me.





Nothing left to do
But wait for you to tell me
You love me again.




The sun was diving into the sea,
my tears dried and voice choked,
I could not say goodbye.




Do my silent sighs
Of my loneliness reach your ears.
From miles and miles away?




Silently growing old,
Like those two flowers,
Till autumn wind withers us.




You are my Panadol, my Valium
You are my Prozac, my Viagra.
You are the prescription for this doctor.




You did not turn up,
And left me with,
Sad memories of nothing.




In my life of highs and lows,
You are the
Happy middle of the balance.


My world became so empty
After you ran away with
All our memories.




Moon sighs in the opaque night
As clouds bewitch it.
Pitch dark road for the lonely journey-man.





When the lone monk reaches
The top of the mountain,
No horizons look distant.





The old temple bell, during the eerie nights
Reminds me every time,
End is just an hour closer.




Life, like a pile of sand,
Decides its own form,
Whichever way I pour it.




Crying in the rain, missing her
Seeing the cloud kissing the mountain,
Soaking it with love.



Warmth of love in the spring,
Makes the vibrant flowers bloom,
Soul’s freedom from the frozen jail.





Too dazed to utter even those
Seventeen syllables when I see you.
Your smile stuns me.




Your picture speaks a thousand words,
But your smile, just seventeen.
The birth of a lovely haiku.




He created love to soothe the pain.
When love causes the pain,
What soothes it?



Dark clouds prevail
Over the summers scorching mood.
Every thing changes with the rain.



Cannot waste this precious time
So that I can save it
To waste finally.




Does the moon look larger
In your large lake,
Than how it looks in my small pond?





The address you gave while leaving,
Read 404 – address not found
When I reached.



Dying to see you,
So, your touch makes
Me alive again.




The monk wishes to complete
His living, to look backwards
At the end.




The butterfly, wants to be
A caterpillar; that
Again becomes a butterfly.



The zen monk is trying,
To hit escape in his
Notebook of jumbled programs.




The monk waits for the moment,
To hit, ctrl-alt-del one last time.
No reboots – just the end.


The monk lets go all that he ever loved,
And now, at the end;
He is left with all that he loves.




The cloud, limps its way in the sky,
Reluctantly, or is it confused
At the cross roads in the sky, where to go.





No shooting stars for years.
Leaves me disappointed.
With many unfulfilled wishes!!




The monk lets go all that he ever loved,
And now, at the end;
He is left with all that he loves.




My notebook like me,
Does every thing,
But think.



Life starts with unanswered questions,
And ends with,
Many answers for questions unknown.


Cyber fragrance
Wafts through the cyberspace,
She logged into my msn messenger.







When he toddled, my world moved,
His warbles brought symphony to my soul.
His eyes lit up my world. My son!





Why does my mind
Oscillate between joys of meeting her and
Pains from separation to follow? I am not a monk!





Feelings – real but not true
Thoughts – true but not real.
You are true and real. My love,

(feelings are like natural laws - gravity, or weight or mass or speed, etc - which are in real sense never true as all velocities are relative. Likewise, in Mathematics or logic, infinity or zero or fractions, etc are true, but they are never real - like half a pen or deducting infinity from infinity, etc - but they are true and proven)






Ignorance that it will never end,
My first love,
Time laughs at it.




The first kiss - a comma,
an exclamation or a question mark?
Heart hopes it is not a full stop.





Boundaries of our love
Was drawn by the sphere of infinity,.
with infinite density.





Does the star not exist because you cannot see?
Doea the sea not exist because you cannot feel it?
Learn to feel them – no questions.





The monk's most important mission,
Is to find out,
What is the most important mission of life.




I promise, I will never think about it.
When I try to stop thinking about it,
I think about it even more. Tears.




.
Why to question
The why,
When the why will always remain a question?




I am searching for something,
I know not. Shall know
When I find it finally.




To know,
What I do not know.
To hold a handful of void.





I am what I am,
If I were what I were not,
I could not be that which I am.




The wanderer’s song wafts through
With the cold breeze from the mountains.
But night rules with silence.




I walk into infinite emptiness
Where Nothing
Is not even in existence.




Dark clouds prevail
Over the summers scorching mood.
Every thing changes with the rain.





Basho’s frog jumped in the pond
My moon shattered into pieces.
Waiting it to calm, to get my moon back.





When I feel your hair on my face,
Caressing softly,
My dreams remain entangled in the dark manes




Looked at the rock
Rough and ridges and deshaped,
It becamme a flower. Zen.



Cannot waste this precious time
So that I can save it.........
To litter it away myself.



Ascending with the load of life,
Bogged down, Sisyphus realizes,
Zen does not carry the baggage from past.




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Doesn’t languish in morass of speculation,

The monk – not scared of tomorrow’s uncertainty,

He knows tomorrow too well to bother.





Dark matter in the universe,

The omnipresent dark energy, existing

In empty space.





Cold tears wash my life away,

As you stand unmoved,

The cause of my tears.





What is that dark matter in the universe,

Wherefrom came the dark enerby that envelopes all,

Present in the absolute void?





Plotting his path joining the stars

In the sky, the mind strolls through the universe.

The galactic monk.





Dark space, no coordinates

No starting point, no finishing line,

The monk begins his journey.



Love of entire life,

Passions of a lifetime,

Everything takes a form in a single drop of tear.





Your eyes treasured all my dreams,

Your smile kept all my happiness.

Where did I lose you?



Path of Nirvana, circles the Zero,

Neither ends nor begins,

You return to where you started from.





Miracles can be explained, but

Not how they happen.

Surprises in life – a proof of his being.





In the parallel universe,

Your refusal is your acceptance.

But how do the parallels meet?



Traversing through the wormholes,

In the eleven dimension multiverse,

The monk searches for the darkest blackhole – the Nirvana.





God’s melody resonates,

Through the hyperspace; the invisible strings

Creating the harmony in the universe.



The inimitable perfection of his design,

Heightened by his limitless imagination,

Infinite universe.



Void and infinity, he trades one for the other,

Knows they are merely two sides,

Of the very same coin.



Will the universe end expanding into

A cold deep freeze, or a hot big colliding blast,

How will be the process of Nirvana?



The dark energy from the void distances us

Till we lose each other’s warmth;

Leading to an absolute solitary existence.





Einstein’s theory of everything and

The monk’s theory of nothing, meet

Where every thing is nothing.







Your light, like that of the dead star,

Still reaches and enlightens my life,

Though you are long gone.





Enter the blackhole of nirvana.

No escape velocity.

For the monk’s mind and soul.



If ever you read this, and

Think of me,

A drop of tear will be my life’s worth.





The lonely wanderer,

No baggage of the past, no weight of the present,

And no load of the future – the monk.





When he knows what is possible,

He also knows what is impossible.

The monk smiles at the lack of differences.





When it is dark,

You neither see nor know,

What lies inside the mirror.



Living in a dimensionless world,

Empty space, the monk finds

No destination to sail for.





No new place brings him joy,

Nor was he sad, where he was.

Why the journey?





The night sky weeps silent tears,

The sea groans in agony, the lighthouse stands lifeless.

The monk walks on.





Whisper of the winds through the pines,

Moon’s hide and seek with the clouds, and the chirping cuckoo,

Cheer up my dreams.





Getting rid of so much of nothing,

The monk looks back one last time,

As takes up his last journey.



Does the temple bell in the morning

Ends the night, or, does the morning sun

Makes it ring?





The orange sun, the morning mist,

The chilling breeze, the singing cuckoo,

It is time for him to start, again.



The omnipresent being with his hands,

Balances omega and lambda,

The universe’s survival.





Finally, the monk found the answer,

An answer which questions,

Its own validity.



The grass bends down under

The weight of the images of the world,

The water droplet sitting on it carries.



Weighed down by your images anf thoughts,

Time to retire to bed,

And escape to the world of my dreams.



The echoes of his flute,

Comes from every mountain around the valley,

Where is he hiding?





My dreams ascend on the rainbow,

To the heavens,

As I lie on the earth, at the bottom.



The bright red goldmohur,

The lively green foliage, Can you

Understand the description by the cuckoo?





The sound of the big bang

Reverberates eternally through the universe.

Aum – the sound of the creation.





My life, exists

Like a needle balanced vertically.

In an uunstable equilibrium.





Every thing in Zen,

Is absolutely empty,

If and only if it is not.



I can watch my back,

As I walk away from myself,

Till it gets lost behind the horizon.



Possibilities turn probabilities,

Probabilities, inevitabilities; till his surprises,

Tear every thing apart.





The broken segment of the fractal,

Becomes a fractal; the original remaining as it was.

The principle of Infinite Brahman.





The waves keep hitting the shore endlessly,

Neither the shore moves, nor the waves stop.

An endless relationship.



Endless path, and a never-ending journey.

Where is the bodhi-tree?

The monk’s quest has to end.





In realizing the worldliness,

As much as otherworldliness,

Lies the wisdom of the zen mind.



When there was nothing, absolutely nothing,
What could have stirred?
Creating the universe?



The lonely wanderer, at last, finds the answer
To his question, and a question challenging the answer,
Journey of the Zen.



In timeless pursuance, The Divine Sculptor
Has been perfecting the Zero,
Voiding the total void.


You live in quintus teal’s home.
Every time I see, I try to touch you, but fail.
I live in a limited three dimension.



The timeless existence,
The lifeless incarnate and the ultimate void,
I am Shiva.



Somewhere the sun is lost,
Moon is yet to find its way,
The inebriated clouds running amok; the dark sky weeps.



She kissed him,
And I tasted the bitterness of
Betrayal.




Afraid of what I may see,
I am afraid of the history of the future,
Frozen mind.




Whether they exist or not,
There is neither any truth nor any falsehood.
To the Zen – it is the same.



In an unstable chaos,
The monk finds stable equilibrium,
Thoughts center of gravity at the center of Zen.




Time, just a pause,
That every thing does not
Happen all at once.



Genesis, taking place in timeless nirvana.
It was there and not there,
Always and never.




Is this life as queer as others suppose?
The Monk finds it even queerer,
Finding what it is.




No smile like yours,
As beautiful,
Has been as treacherous.




The monk lives the life of a lone star
150 billion lightyears away, antigravity pulling all apart.
Living in absolute zero.





The dark energy; no form, no qualities, no attributes,
The effulgent cause behind everything,
Never was a time, it did not exist.




The immanent reality behind every thing,
The cause that sustains effects,
You are the beginning and you are the end.






Will you, the migratory bird from across the oceans,
trace your path back,
To the empty nest you left?






Living between being and non-being
In the ivory tower of solitude, unalloyed mind,
Imbued in the quiet ecstacy of nirvana.


A faster Achilles, though every moment
Coses the distance by half,
The slow tortoise of Nirvana still is unreachable.


Deduct everything you know,
And you don't know - from the space.
A formless, definitionless void.


Timeless Shiva, without any element,
The ultimate void, the supreme nothing,
Lifelessness incarnate.



He begins where limits of knowledge ends,
Knowledge of limits begins,
He is beyond knowledge and limits.



What worh is self of,
Nothing - in relation to infinity.
Every thing - in relation to nothing.



You touched my life,
For a momentary point,
Like a tangent kissing a curve.


No reason, no laws.
No faith, no belief,
Love denounces all, embraces all.



Your tears trickled down your cheeks.
My dreams were,
Washed away in flood.



Tangled tresses coverning my face at night,
Softly carassessing,
To welcome purified rays dribbling through.,





















He lives in the quantum universe



Like the Schrodinger’s cat


Alive and dead at the same time.










From being to becoming


Life’s journey


To acquire a form of being nothing.










The tempestuous force of dark psyche


Starving of realities, living on illusions


Unruly mind wanders everywhere, yet nowhere.










He created the void,


Where matter and anti-matter keep forming


And destroying each other to nothingness.










Drunk in rain, the moon


Sleeping under the blanket of cloud,


Oblivious to the thunder and lightning outside.


















Who decides the divine ratio,


Where to pluck the monochord to give the perfect fifth,


The most powerful and evocative notes.










The cage is being flown across the sky,


But I am caged inside;


Freedom in exile!










The key to the greatest treasure,


Kept locked in the chest,


Where lies the greatest treasure of life.










The cuckoo’s song echoing and re-echoing


In the misty dark night, keeps


The heaven alive in the world of my dreams.










One lone cuckoo, willingly invisible, its songs transcend


From all mountains, all around,


Hushes my cries of despair and makes me sleep,






Am I left alone or I chose to be alone –


A mute point to argue, don’t even need my


Nebulous shadow as my disturbing company.





Cuckoo’s lullaby makes me sleep,


Telling me I need to start from where I left.


Its tireless singing and my journey – synced by the heavens.










Mere words, coming from her – passion,


Mere words – coming from her – love’s nectar


Mere words – coming from her – arrow with poison.










To my deaf ears, her songs are the most mellifluous,


To my blind eyes, she is the most beautiful creature,


To my numb fingers, she feels the warmest and softest.










What was denied in the past,


Was found useless when begotten.


For the monk, sour and sweet grapes are all alike.










Future cannot be based on past,


Any time, anywhere, any moment,


There may be a quantum jump – negating all that is in the past.






Slow measured spets as I walk out of the hospital corridor


In the wee hours. How many of them, lying in side;


Will see the morning bright sun?










Those flayed edges and cracking folds,


The purple pink paper turned grey over time....


But what about what you promised on it?










In time space relativity,


Your image shrunk to a nondescript point.


My calls – a murmur and my presence a state of non-existence.










Gusts of wind rushed in,


All the sheaf of papers with haikus for you, flew away in the wind.


Will it carry them to you?










You could disprove all laws with your love,


You could make time stop and everything beautiful snatched from destiny,


Your kiss breathed immortality in my love.










Not relative to time,


His mind collapsed to a point, where


Past, present and future exist simultaneously.










My biography would have no words,


Pages filled with spilled ink,


Formless, shapeless objects meaning nothing, all in black.




My biography has no words, nor any hieroglyphics,



Just filled with spilled ink,


Formless, shapeless objects meaning nothing.










Tears of longing never dry up,


Hushed sobs,


But the heart is parched like a desert.










In the mirrored room of Shosenkyo, a countless “me”.


Each searching for the real “me”


Including the real “myself”.










The lonely nightingale


Fills the silence of night,


With its song of loneliness to give me company.










Cuckoo’s heart-rending melody of night,


Gets drowned in the


Glee of raucous blare of crows in the morning.


















The potter is finding out what clay is


To empathize with,


Every shape and structure he creates with them..










Unchartered sea, no navigation tools,


No destination to sail for,


The wanderer sails aimlessly. Journey is the destination.










Mount Fuji floats in the cloud


The monk meditating in it,


And his mind are absolutely still.










The wise monk recognizes who is inside the temple


And also outside,


His temple spreads much beyond the stone building.










The book with secrets of life is in the safe,


Along with the key to it.


Zen’s catch 22 situation!!


















Pythagoras’ monochord, plucked


A pure note spills all over and invades the


Universe signalling his presence.





Thursday, October 30, 2008

Daru-Brahma: Idol of Lord Jagannath









“All ecclesiastical history is a mishmash of error and coercion.” Goethe

The resultant schism between scientific thinking and religious belief has presented every thinking person with an apparently unresolvable dilemma. Core tenets anchored in ecclesiastical traditions have become topics for debates for theologians. The debate between faith and logic will continue for ever and celestial incidents which will be backed by evidences will keep baffling human minds.

One such example is the idol-making of the presiding deities of Puri. Many such practices still cannot be explained by science, neither can be dismissed as coincidences. Nicolai Notovitch, who traveled through Northern India extensively and spent time in Hermis Monastery in Leh to trace Asian connections of Christ notes from the scriptures maintained by the Abbot that Jesus at the age of fourteen traveled with merchants through Sindh (now in Pakistan), Punjab, Gangetic plains to Jagannath Puri where he learnt to read and understand Vedas; and spent six years traveling through Benares, Rajagriha en route before returning to Israel.

Puri, also called Jagannath Puri after its presiding deity was the place where Guru Nanak of the Sikhs, Mahavir of the Jains, score of Muslim devotees including Kabir came to worship Jagannath.



Puri, Dwarka, Rameswaram and Badrinath are the four most important pilgrimage places (dhams meaning abodes or religious centers) in India for the Hindus. These four religious centers are also referred to as Chaturdham (Chatur – four, dham – abode). However, another set of four religious sites in the Himalayan region are also referred to as Chaturdham, Gangotri, Yamunotri, Kedarnath and Badrinath. But the first four, as described by Adi Sankaracharya; the Hindu religious leader of the 8th century, are the four most important places of pilgrimage for a Hindu and are commonly referred to as four dhams.

Puri, a small town by the Bay of Bengal in Orissa is the the abode of Lord Jagannath, a form of Lord Narayana; the deity of all Hindus, particularly the Vaishnavites (Worshippers of Vishnu). The word Jagannath means Lord (Nath) of the Universe (Jagat). The temple, an architectural masterpiece, was constructed in the 12th century AD by King Ananta Varman Cholaganga Dev. There are myriads of folklores about the construction of the temple, which is, till today one of the most visited tourists’ destination. The temple houses wooden idols of Lord Jagannath, his brother – Balabhadra and his sister – Subhadra. The idols are made of Neem wood. Lord Jagannath is possibly the only Hindu deity, who is associated with other religions. Buddha was an incarnation, Guru Nanak of the Sikhs spent time worshipping him in Puri.

Jagannath temple is also known for the annual car-festival during the rainy season (in the month of June) when the three deities with Sudarshan (the weapon of Lord Jagannath) come out of the temple and are taken to Mausima temple, about three kilometers from the Jagannath temple in wooden chariots. Almost a million people attend this festival.

The wood used to carve out the deities is from neem tree (Azadirachta indica) , which is an evergreen tree found all over the country. It has various medicinal properties and its parts are used in the traditional Indian medicine. It is also related to the Sun and healing. However, no ordinary neem tree can be used for carving out the idols. There are many stringent conditions which must be fulfilled by the trees which will then be used to make the idols. For every deity, a different tree is used.

The ceremony for making and installing the new idols is called Naba-kalebara (naba – new in Oriya, Kalebara – body). The old deity is buried in the temple premises in Koili Baikuntha after the new idol is installed following vedic rituals.

Naba kalebara or change of idols take place once in about twelve years, only when in the Hindu calendar of the year, there is a repetition of the month of ashadha (a month in the rainy season, coinciding with June). But at times, such months can come after 8 or 12 or even 18 years. In idols worshipped now were made in 1996. The change of idols took place in the years of 1977, 1969, 1950, 1931, 1912, etc.

The trees which are used are selected based on several celestial incidents, very much like the birth of Krishna or Buddha or Jesus. In the temple are many scriptures written on palm leaves, one of which is Niladri Mahodaya, meaning rise of the blue mountain. This book contains the details of the locations where daru (the neem tree) would be found. However, the geographical location is not well documented, and the tree is actually located following the directions from Goddesss Mangala in Kakatpur, a small village about 50 kilometers from Puri, on the way to Konark, the famous Sun Temple.

Myths galore exist about the wooden deities of Puri. It is said that Krishna, while resting, was shot by Jara, a tribesman who mistook the feet of Krishna to be the ear of a deer. The arrowhead, which was made from the cursed spear of the sage Durvasa, and was meant to wipe off the Jadav clan of Lord Krishna stuck him at his feet, and the lord breathed his last. As per his wishes, his disciple and friend, Arjun along with the tribal hunter cremated him in pyre. The whole body of Lord Krishna was turned into ashes, but for the heart (pinda). Following a divine order, the hunter threw the heart in the sea. It is said that this pinda or heart was seen floating as daru (log of a tree) in the sea. King Indradyumna, who was an ardent devotee of Lord Jagannath retrieved the log. However, his frustrations knew no bounds when not a single carpenter could carve out the idols. He submitted himself at the lotus feet of the lord to find a carpenter. A very old man appeared, who agreed to make the idol on condition of complete isolation and non-interference for three weeks. The carpenter retired to a secluded room and started his work, and the king – very impatiently, waited outside beginning the countdown. After two weeks, the king heard no noise from the room. Suspecting that the old carpenter might have passed away, he opened the door. Hardly had he looked at the carpenter when he vanished; leaving three unfinished idols. There stood the three deities, half-made. Their hands and legs were incomplete. It is also said that the present form has a strong philosophical underline. The deities do not have hands and legs; which signifies they will be stationary. The big round eyes will keep seeing every thing happening with even batting an eyelid. He would be surveying every thing happening, smilingly; and will react when the occasion demands.

A search party comprising of about 50 members sets out to spot the holy tree. It includes the descendants of certain families who had been traditionally serving the temple. They seek the blessings of Lord Jagannath and set out on their mission taking the permission of the King of Puri. The search party reaches Kakatpur, and one of the members, called the Daitapati prays Goddess Mangala. He sleeps in the temple premises in Kakatpur, praying the goddess to direct him to the correct location. In his dream, the goddess gives him the directions to the exact location. The next morning the party sets off to spot the holy tree.

The tree which will be used has to fulfill many conditions. Lord Jagannath is dark in color. So the neem tree from which his idol is to be carved out should be dark; whereas the trees which would be used for the idols of his brother and sister are lighter in color; as his siblings are fair! The neem tree for Lord Jagannath must have four principal branches – symbolizing four arms of Narayana. There must be a water body near the tree – like a river or a large pond and a cremation ground nearby. An ant-hill should be close to the tree and at the roots of the tree there mist be a snake-pit of a cobra. No bird must have made nests in the tree; and no branches would have broken or cut. The tree has to be located near a three-way or would be surrounded by three mountains. No creepers must have grown on the tree and there have to be Varuna, Sahada and Billva trees (these three trees are not very common) close by. There have to be a hermitage and a temple of Lord Shiva in the vicinity. The most amazing requirement is, on the tree trunk there must be natural impressions of conch-shell and chakra (wheel)!


A neem tree which satisfies all the above conditions will be selected for making the idol. A fire sacrifice is made to invoke the blessings of all gods. Descendants of three different families will start the process of cutting the tree, which begins with a golden axe, followed by a silver axe and finally cut with an iron axe. The whole uncut trunk is carried to the temple premises on a wooden cart to be kept in Koili Baikuntha, the burial ground of the gods in the Jagannath temple. The new idols will be made by the carpenter family serving the temple for generations. They take three weeks to make the idols, during which period no one other than the carpenters are allowed inside.

Very much like the daru of Lord Jagannath, the process continues to locate the trees for Sudarshan, Subhadra and Balabhadra. In fact, the daru of Lord Jagannath is the last to be cut.

When the new idols are made, they are carried to the inner sanctum of the temple and kept facing the old idols. The three seniormost servants of the Lord belonging to the Daitapati family, three days before the car festival, transfer the Brahman or the life force (also referred to as pinda) from the old deities to the new. They are blind-folded and their hands are covered when they perform this. Once the new idols are installed, the old idols are taken to the cremation ground and buried in their respective places. No one is allowed to witness this process, and the whole town of Puri plunges into darkness during this.

On the second day, the new deities are placed on Ratna Singhasan, the throne of the deities, and the rituals begin. The car festival following the installation of the new idols attracts more crowd than other years.

(My son in front of the chariots during the car festival on one of the off days in Puri in the first photograph; thanks to my younger brother who was in charge of the administration! There also are pictures depicting the Neem tree, and the naturally oiccurring impressions of Sankha or conch-shell and chakra or wheel. The picture of the three cars of the three deities was taken by my son. I was fortunate to have witnessed this celestial incident in 1977 in Raychakradharpur a remote village in Puri district of Orissa. My memories of 1969 daru in Champajhar in Khurdha district is limited to a ride in a bullock cart through a serpectine road. I was out of the country in 1996!)
Interestingly, Maharaja Ranjit Singh, who donated more gold and silver to Lord Jagannath Temple in Puri than even to Golden Temple, had willed the Koh-i-noor diamond to Lord Jagannath. But unfortunately, the will was never executed, and soon after his death in 1839, British took over his kingdom and acquired the possession of the diamond.

Sunday, September 21, 2008

History of Fishes




Edmund Halley had a long and prolific career. He was a sea-captain, cartographer, a professor of geometry in Oxford University, Deputy Controller of the Royal Mint, Astronomer and invented deep sea diving bell. He had publications on magnetism, tides, orbit of planets and effects of opium, possibly after first hand experience. He designed the weather map and actuarial table, proposed methods for understanding age of the sun and the earth and the distance between them. He also devised a method to keep fish fresh out of season. The only thing the genius did not do was he did not discover the comet which bears his name!!!



He merely recognized the comet he saw in 1682 that it was the same comet which appeared in 1456, 1531 and 1607. But sixteen years after he died, the comet was named after him for his finding that it appeared after every 76 years or so!



Halley wrote the History of Fish, which was published by the Royal Society, but was not received by the readers well, amd most copies were lying in the library. Very few people read it or bought it. But what it actually achieved is one of the greatest contributions to human knowledge.



So, here was a multifaceted man, a genius, who excelled in many fields, but was known for a comet he did not discover. He wrote a book, which was not received by the peers well. But the same book possibly changed the world and the way the world thought!!!



In 1683, Halley was dining with Hooke (who first discovered a cell and said it was the unit of life) and Wren, an astronomer and architect, people were really versatile then!!After few minutes, the discussion drifted to celestial objects which were always the subject of all intellectual meetings of those years as very little was really known, and most of it was only being guessed - uncertain.It was known that the orbits of the planet was elliptical.The planets were inclined to the orbit in a funny way, and went about on their tracks in a kind of oval path, a very specific and precise curve. But no one explained why!! Wren, being the gregarious guy that he was offered a couple of weeks wager to the person who could solve this mystery - 40 shillings.



Hooke, though himself a brilliant scientist, at times did not hesitate for taking credit for what he did not do; claimed he had solved it, but would keep it secret so as to allow others to solve them independently! But Halley took his mission straight. He set out to Cambridge; and called upon the Lucasian professor of Mathematics. The professor was a funny figure, one who used to get up from bed, and keep sitting on it hanging his legs down and swinging them aimlessly. He was solitary, joyless, prickly to the point, but brilliant beyong measure. One who after waking up, used to sit straight, stunned; with the explosions of ideas that might have hit his brains in the morning. He was Sir Isaac Newton.



We are not sure if the apple really hit him on his head when he was relaxing under a tree; but we have records that the adamant scientist once pierced a needle into his eye, between the socket and the bone to see how far the eye ball extended, and how was it roomed in the bony socket. To understand what damage the powerful sunrays could cause to his eyes, he stared at the bright sun for hours. And had to spend several days in the dark room to let his stunned eyes gain their vision. Without that lacing of lunacy and tinge of madness, no genius can be complete!! To prove this right as if, Newton spent a considerable time on alchemy and religious practice. They were not mere dabblings as many do. He was -albeit secretly - a follower of arianism, he spent years in Jerusalem, learning Hebrew, studying the floor plan of the palace of King Solomon. Though he studies in the Trinity College, he did not believe in the doctrine of Trinity - being a follower of Arianism. He spent days calculating from the texts in Hebrew, the second coming of Christ and end of the world!! Interestingly, when some of his papers were auctioned, John Keynes (the buyer) found loads of materials - not on his theories of Physics - but on how to convert ordinary metal to precious ones (though he did not succeed in it). An analysis of his hair revealed that he had 40 times the natural level of mercury in his hair. You have to remember, those days mercury did attract the attention of the alchemists!!

Set atop his quirky traits, eccentric character, odd beliefs and unpredictable behaviour was the mind of a super genius. As a student, being frustrated with the limitations of conventional mathematics, he invented a brand new mathematical form - Calculus. But the eccentric genius kept it to himself for over twenty seven years. Likewise, his work on optics and light rayes was kept hidden for three decades, before the light theory saw the light of the day and changed the way we thought about light.

Halley had done his homework, and he knew he was meeting the world's greatest genius of that time. Newtons confidant, Abraham DeMoivre, was of big help to Halley and maintained a record. The moment Halley posed the question, pat came the reply "the path will be elliptical," from Newton. Amazed and happy; Halley asked "how". Newton went in to search for the papers where he had already calculated the pathway based on the principles of inverse square root; but could not really found the paper out where he had made the calculations.

Providence had something larger in its design!

With a little help from Abraham DeMoivre, his butler, Halley gained Newton's confidence. Newton did tell Halley why the orbit would be elliptical, but at that point of time, forgot how he found out this formula. Pressed by Halley and persuaded by his butler, Newton agreed to redo the calculations. He did what he promised and did more than that actually. He went into his hibernation for two years, and produced what would ppossibly be the greatest treatise in Physics. The work was titled Mathematical Principles of Natural History, better known as Prnicipia!!!Newton was the first scientist to be knighted following this astounding work. Even his bitter critic, Leibniz, with whom he had a very acidic relation following the debate about who first invented calculus, was eloquent in his praise for Principia, saying, this was a contribution to mathematics which equals all other works put together in mathematics thus far!!

Newton deliberately made the Principia tough for the laymen, making it inaccessible to most. He not only discussed in it the orbits of the heavenly bodies, but also wrote about Gravity. It stated that every object in the universe attracts everything else!! He also realized that the force of this attraction was proportional to the mass of the objects. and inversely proportional to the square of of the distance.

But what about the History of Fishes???

Well, the publication of Principia was not without any Newtonian drama. Just as Newton was nearing the completion of the epic, he and Hooke fell out and Newton refused to release the third volume. Halley tried his best and with a bit of flattery and a lot of persuation got the third volume out. The Royal Society pulled out from publishing it citing financial limitations.Halley, whose financial means were nothing great, went ahead paying for the publication. Newton, as was his style, did not contribute any thing financially. Halley had meanwhile accepted the position of a clerk in the Royal Society at a salary of fifty pund sterlings a pear. After spending all that he had saved - on publishing the book, he depended on his job to make both ends meet. But, the society could no longer afford to pay him the salary for his job.

He was paid instead in copies of The History of Fishes.

Thus the History of Fishes made it possible to bring to light the greatest work in Physics - Principia!!!!
Halley and Newton in photographs. Unfortunately, Hooke did not have a photograph; and the photograph which was thought to be his, was not his!!

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